The Writer’s Guide to Women in Single Combat

One of the most difficult positions a writer can put their female combatant is in a one-on-one fight or alone against multiple opponents. This is especially true if the attackers are bigger and stronger. Does that mean that a woman will lose every one of these fights? Absolutely not! There are women throughout history, including in our modern world, who can go toe-to-toe against a superior opponent and win.

As always, magic is the exception to the rule. Because magic.

Unevenly Matched

I covered several of the setbacks to female fighters in my previous article, The Writer’s Guide to Women in Combat, and offered some suggestions to overcome them. In this section, I will ignore the barriers created by culture, menstruation, and pregnancy and just focus on the physical challenges. Unless a female combatant is facing off against another woman or a weaker man, the odds are good that she will be outmatched. She will probably be at a disadvantage in several categories, including strength, height, and reach. This disparity increases with the number of opponents.

However, there are several areas a woman can focus on to give her an advantage. One of the biggest is skill. Most of the time, the more skilled fighter is the winner. This is true of both armed and unarmed combat.

Armed

One of the beautiful things about weapons is that they are force multipliers. This goes a long way in evening the playing field when fighting a physically stronger and taller opponent. She can gain an even greater advantage by carefully choosing her weapons. Shadiversity has a wonderful video here.

One of my favorite examples of a woman who excelled in dueling is Julie d’Aubigny. She was a 17th century French opera singer and fencer who wounded or killed at least ten men in duels. She was trained in fencing by her father, who taught the pages of King Louis XIV’s court. Also, one of her many lovers was an assistant fencing master with whom she toured France, performing singing acts and fencing exhibitions. She would often dress in men’s clothing and her fencing skills were so impressive that during one show, a drunk in the crowd loudly declared that she couldn’t be a woman. She dramatically tore off her shirt to prove him wrong. Another colorful story was when she attended a royal ball dressed in men’s clothing and spent most of the evening courting a young woman. Three of the lady’s suitors challenged her to duels when Julie publicly kissed her. She gladly accepted and won all three duels. I encourage you to read her full story because she had a wild life.

Julie d’Aubigny, also known as Mademoiselle de Maupin. Photo source.

Unarmed

It is harder for a woman (or a weaker man) to win in unarmed combat against a superior opponent, but it isn’t impossible. Again, training and skill go a long way toward evening the odds. I know this from personal experience since I have a black belt in bujinkan ninjutsu. I have trained for years against bigger guys.

First, it’s learning the weak spots such as the elbows, knees, throat, and ears. A targeted attack against these areas can do a lot of damage without a lot of force. For example, it only takes seven pounds of pressure to break an elbow.

Applying an arm bar. Photo source.

Second, it’s learning how to keep yourself safe. This is done by understanding the distance at which you are outside an opponent’s attacks. Of course, reach varies from person to person, but there is an average distance at which you are out of range, if just barely. One of the biggest lessons I have learned is taking advantage of the “corners.” Most attacks are circular. If you swing your arm or leg, you are tracing the edge of a circle. If you picture a circle inside a square, this means the corners of the square are outside the circle of attack, unless your opponent moves.

The green areas are your “corners.” Photo source.

Another way to stay safe is to move off at an angle. Most people want to move forward while they attack. It is where they are strongest. However, if you back up at a 45° or 90° angle, your opponent must change direction, which dissipates their momentum and disrupts their flow.


I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

Writer’s Deep Dive: Boudica

One of the greatest tools and sources of inspiration that a writer has is history. The lives, actions, and motivations of historical people can be invaluable in shaping believable characters. As part of my series on female warriors, I will be sharing the stories of several formidable women. Today, we start with Boudica

Now, let’s dive in!

The Basics

Boudica (also known as Boadicea) was the wife of Prasutagus, who ruled the Iceni tribe in ancient Britain, in what is now Norfolk [1] The Romans had invaded in 43 AD and he had allied himself and his tribe with the invaders, hoping to preserve their independence. [2] When Prasutagus died in 60/61 AD, he tried to pacify the Romans further by leaving half of his fortune to the Emperor Nero, the other half going to his two daughters. [3] However, this wasn’t enough for the Romans. They sacked then confiscated much of the Iceni lands, pillaged the house of Prasutagus and Boudica, [4] claimed all the late king’s money, refused to acknowledge Boudica as her late husband’s heir, and demanded immediate repayment of money they had lent to him. [5] Not content with just this humiliation, the Romans flogged Boudica publicly and raped her daughters.

Boudica was determined that this humiliation had to be answered. She rallied the Iceni then gained the support of several neighboring tribes that already hated the Romans and were horrified at the abuse she and her daughters had suffered. She managed to raise an army 120,000 strong. [6]

A 1793 engraving showing Boudica rallying people to her cause, with her daughters at her side. Boadicea Haranguing the Britons by William Sharp. Photo source.

Boudica and her army first marched on Camulodunum (modern Colchester) while the governor, Gaius Suetonius Paulinus, was away campaigning on the island of Mona (known today as Anglesey). [7] The city was a target of special hatred because they brutalized the neighboring Britons and built a lavish temple to Claudius. [8] Thankfully, the city was an easy target since the residents had dismantled much of the defenses to build houses and the Romans could only muster 200 soldiers, who were easily defeated. [9] There are no records of how involved Boudica and her daughters were in the fighting but she was definitely the one leading the army and her daughters were there.

Boadicea and Her Daughters. The statue was commissioned by Queen Victoria and stands on the west end of Westminster Bridge. Photo courtesy of Shutterstock.

Suetonius hurried back to the capital of Londinium (modern London) but when he saw Boudica’s army, he turned tail and ran. Boudica’s army captured the city, burned it down, and slaughtered everyone they found. They then moved on to the city of Verulamium (known today as St. Albans), which they captured and destroyed. [10]

Suetonius regrouped, amassing an army of 10,000 men. [11] He took up position on defensible ground and waited for Boudica to come to him. Even though the rebel army now numbered between 230,000 to 300,000 warriors they were defeated by the superior training, tactics, and equipment of the Roman forces. According to the historian, Tacitus, the Romans were so hateful that they slaughtered the women and animals. [12] There are conflicting stories of Boudica’s fate. Historians have claimed that she poisoned herself, was killed in battle, or died of a sickness. There are no records of what became of her daughters.

The Britons against the Romans. Photo source.

The Write Angle

For authors writing women warriors, especially those leading armies, Boudica can offer a huge amount of inspiration and insight. She was skilled at rallying fighters to her cause and played up the abuse leveled against her and her daughters to enrage people and stoke the hatred they already had toward the Romans. She was knowledgeable about the land and the weak locations that were the best targets.

Her army was incredibly brutal and did torturous things to people whose only crime was living in a Roman city. I have not gone into detail because of the horrific nature of the subject; you are welcome to research it yourself if you like.

In the end, Boudica’s pride was her downfall. She came to underestimate her enemy. She won three decisive victories against Roman cities and had come to believe that her superior numbers would overcome any advantage the Romans possessed. Her enemy was able to regroup and employ tactics that had been successful in the past, including against overwhelming odds. Ultimately, they used her hubris and hatred against her.


I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

[1] Hingley & Unwin (2006). Boudica: Iron Age Warrior Queen. London: Bloomsbury Publishing PLC. p. 197.
[2] Hingley & Unwin (2006). Boudica: Iron Age Warrior Queen. London: Bloomsbury Publishing PLC. pp. 19, 23.
[3] Newark, Timothy (1989). Women Warlords: An Illustrated Military History of Female Warriors. London: Blandford. p. 85.
[4] Tacitus, The Annals, 14.31
[5] Cassius Dio, Roman History, 62.2
[6] Hingley & Unwin (2006). Boudica: Iron Age Warrior Queen. London: Bloomsbury Publishing PLC. p. 70.
[7] Hingley & Unwin (2006). Boudica: Iron Age Warrior Queen. London: Bloomsbury Publishing PLC. p. 44.
[8] Hingley & Unwin (2006). Boudica: Iron Age Warrior Queen. London: Bloomsbury Publishing PLC. p. 71.
[9] Webster, Graham (1978). Boudica, the British Revolt against Rome Ad 60. Totowa: Rowman and Littlefield. p. 90.
[10] Hingley & Unwin 2004, p. 180
[11] Tacitus, Annals 14.34
[12] Tacitus, Publius, Cornelius, The Annals, Book 14, Chapter 35

The Writer’s Guide to Women in Combat

Writers have had a fascination with women warriors for centuries. The ancient Greeks wrote about the Amazons, a fierce tribe of female fighters. The main event in many Roman gladiatorial games were the gladiatrices, female gladiators. In our modern stories, we have quite the league of combat heroines, such as Eowyn, Arya, Katniss, and Wonder Woman.

Yet there has been criticism of depictions of women in combat. Today, I will cover the challenges of writing female fighters, especially in historical settings, and ways to sidestep them. Over the next weeks, I will explore women in single combat and on the battlefield, as well as highlighting several female warriors.

As always, magic is the exception to the rule. Because magic.

Why Are Women Warriors Rare in History?

When we look to history, the ranks of female fighters are thin. There were several factors that either discouraged women from fighting or likely caused military commanders to exclude them.

Cultural

Many world cultures strongly encouraged women to focus on marriage and child rearing. Often, this was necessary to ensure the survival of the group. If too many women die in combat, there are fewer children born. If the birth rates drop too low, the group will eventually die out. Populations can absorb the death of a significant number of men more easily than the death of a large group of women. This is because of the ability of one man to impregnate multiple women, leading to the birth of several children. This reasoning is why hunting and fishing targets the males of a species, to ensure its continuation. Due to this biological fact, many world cultures have cemented the expectations for women to be that of wife and mother.

There are some cultures that are more accepting of female fighters, such as the Vikings. Often these cultures exist in harsh environments and need “all hands on deck” to survive. They are often egalitarian in other areas of their culture and commonly give women more rights and freedoms than other restrictive societies.

Traditional gender roles: a man going off to war while the woman stays behind. “God Speed” by Edmund Leighton. Photo source.

Menstrual Cycles, Pregnancy, and Childbirth

A woman’s menstrual cycle could limit her effectiveness in combat, especially if she is experiencing pain. Of course, not all women are debilitated during menstruation. There are female athletes who have won gold medals during their cycles.

Another challenge is pregnancy. If an army is a mixture of men and women, even if they are segregated into different units, there will probably be sexual activity. When putting young healthy people together, it’s almost inevitable. Obviously, being pregnant, especially in the second and third trimester, makes a soldier unfit for combat. Not that a heavily pregnant woman could not fight, but it would endanger the success of a military engagement and a commander would probably be reluctant to use pregnant soldiers or those that could become pregnant.

There is also the danger of dying in childbirth, which was unfortunately all too common during much of human history. The possibility of losing a soldier that you have invested time in training would give many military commanders pause.

Childbirth in the 16th century. Photo source.

Physical Ability

A biological reality is that the average woman is physically weaker than the average man, with 5-50% less upper body strength. [2] Women’s bones are less dense, making them more likely to break [3] However, athletic records show that most women have more endurance than men. So, female soldiers could be better than long marches than their male counterparts, but would likely be at a disadvantage in physically taxing combat. Of course, there are several other factors at play, such as weapons used, training, skill, size, reach, and luck. In fact, we know of several women in history who were deadly swordsmen.

Image courtesy of Shutterstock.

Overcoming These Challenges

As writers, we have several ways to overcome the challenges faced by our badass female protagonists. This is especially true if magic and technology are in the mix.

Menstrual pain could be minimized or eliminated with a spell or an herb. There are several real-world plants that minimize cramping such as ginger, nettle, fennel, and raspberry leaf. Pregnancy can be prevented the same way, with magic or herbology. In fact, the ancient Romans had a plant, silphium, that acted as effective natural birth control. Unfortunately, it is now extinct. [1]

A weaker character can be strengthened using magic or technology, like a power suit. Also, female fighters can focus on ranged attacks, such as archery.

An ancient coin showing a stalk of silphium. Photo source.

I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

[1] Did the ancient Romans use a natural herb for birth control?, The Straight Dope, October 13, 2006
[2] "Women in Combat: Frequently Asked Questions". Center for Military Readiness. 22 November 2004. Archived from the original on 20 December 2004.
[3] "Effect of Isokinetic Strength Training and Deconditioning on Bone Stiffness, Bone Density and Bone Turnover in Military-Aged Women". Archived from the original on 2013-06-26. Retrieved 2013-05-26.

Writer’s Deep Dive: Horse Bits

Most people know that the primary way that a horse is steered is by using a bit. However, there is a lot more to it.

Now, let’s dive in!

The Basics

First, the bit is not the only way a rider communicates with their horse. Weight shifts, leg cues, verbal commands, and sometimes whip cues are all used with the reins and bit.

Before we get too far into the subject of bits, there is sometimes you need to understand about horse’s mouths. Horses have two sets of teeth: incisors and molars. The incisors are the front teeth that are used for cutting grass when a horse is grazing, although they can also be used for defense or attack. The molars are the large flat-topped grinding teeth that chew the grass before it’s swallowed. Unlike our teeth, horses have a gap between the two where there are only gums. It is in this gap that the bit sits. It is not resting on the teeth themselves.

Diagram of a horse’s skull and teeth. Photo source.
Where the bit sits in a horse’s mouth. Photo source.

Occasionally, horse will have wolf teeth that grow in that gap between the incisors and molars. It can be painful for the horse to have a bit hit their wolf teeth. Nowadays, wolf teeth are commonly removed surgically. The corner of a horse’s mouth lines up with the gap between the incisors and molars, which is known as the interdental space.

The bit applies pressure to the tongue, gums, and sometimes the roof of the mouth. If the bridle is too loose, the bit will bang against the back incisors. If it’s too tight, it will press against the front molars. The horse can become desensitized, which is known as “hard mouthed” if a rider is too harsh with the bit.

There is some specific terminology when discussing bits.

Bar or Mouthpiece – The piece that sits across the horse’s tongue and gums. It can be a solid piece of metal or twisted wire and can be straight, jointed or curved. It’s believed that thicker bits are gentler while thinner bits are harsher.

Cheekpieces – The cheekpieces connect to the bar at either side outside the horse’s mouth. The rest of the bridle is attached to the top of the cheekpieces, while the reins are attached to the bottom. There are several styles of cheekpieces, including D-ring and eggbutt.

Shanks – Shanks are pieces that extend downward from the cheekpieces. When the reins are pulled, they rotate the bit in the mouth and apply leverage. The longer the shanks, the stronger the leverage and the less pressure is needed on the reins to create it.

Parts of a bit. Photo source.
Types of bits. Photo source.

The Write Angle

Proper fitting of the bit and handling of the reins can be a way for a writer to point out that a character knows what they are doing with horses. Also, one trick to get a horse to open its mouth for the bit is to put your thumb in the gap and wiggle it around. Most horses open their mouths and you’re in no danger of being bit. Show instead of tell, right?

It is possible for a horse to get the bit between their teeth and take control away from the rider. This is an opportunity for some moments of drama or tension, especially if it involves a runaway horse with the rider hanging on for dear life.

If a character is tacking a green horse, you can point out that they are choosing a gentle bit with a thick bar and no shanks. In converse, a character could be forced to choose a thin bit with long shanks to control an unruly hard-mouthed horse.


I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

The Writer’s Guide to Ecclesiastical Titles

Besides royalty and nobility, members of the clergy also have a rich history of titles and forms of address. Since religion, especially Catholicism and Eastern Orthodoxy, played such a large part in European society throughout much of history, it is important for a writer who is setting their story in this period or one drawing inspiration from it to know the basics of church hierarchy and forms of address.

If you need the titles and forms of address for royalty and nobility, please read my previous articles here and here.

If you are writing fantasy, they can be discarded completely in favor of your own inventions, if you so wish.

Pope and Patriarch

The pope is the head of the Roman Catholic Church and the patriarch is the leader of the Eastern Orthodox church.

The most common form of address for the pope is “your Holiness.” This title can also be used when referencing him, e.g., “his Holiness” or “His Holiness Pope Francis.” The term “Holy Father” is also used as well as “Most Blessed Father” and “Most Holy Father.” During the Middle Ages, the term “Dominus Apostolicus,” meaning “the Apostolic Lord,” was used. [1] Other titles have been applied to the pope, including Bishop of Rome, Vicar of Jesus Christ, Successor of Peter, and many more. [2]

The Ecumenical Patriarch of the Eastern Orthodox church is addressed as “Your All-Holiness” and referred to as “His All-Holiness.” The formal form of address is “Bartholomew, by the grace of God Archbishop of Constantinople, New Rome and Ecumenical Patriarch.” [3]

Pope Francis (left), head of the Roman Catholic Church, and Bartholomew I of Constantinople (right), Patriarch of the Eastern Orthodox Church. Photo source.

Cardinal

A cardinal oversees a large territory and directs the archbishops and bishops that report to him. Collectively, they make up the college of cardinals. One of their responsibilities is selecting the next pope after the previous one dies or retires. In the Catholic church, they are well known for their red vestments.

They are commonly addressed as “Your Eminence” and referred to as “His Eminence.” They are considered princes of the church and can be addressed in the same way with “Your Grace.” [4]

Roman Catholic cardinals in their red vestments. Photo source.

Archbishop

An archbishop leads an archdiocese, a large or heavily populated area that included all the churches located inside its boundaries.

They are addressed as “Your Excellency” and referred to as “His Grace Archbishop (Name).” Other common forms of address include “Your Grace” with the title being “The Most Reverend.”

Eastern Orthodox archbishops are referred to as “The Most Reverend Archbishop (Name) of (Place)” and addressed as either “Your Beatitude” or “Your Eminence.” [5]

An Eastern Orthodox archbishop. Photo source.

Bishop

A bishop oversees one or more dioceses and is under the authority of their archbishop.

The common form of address in the Roman Catholic church is “Your Grace.” He is referred to as “Bishop (Name).”

Bishops in the Eastern Orthodox church as referred to as “The Most Reverend Bishop (Name) of (Place)” and addressed as “Bishop (Name).”

Priest

A priest handles a parish church.

His is usually addressed and referred to as “Father (Name)” or just “Father.” An Eastern Orthodox priest is also called “Father” but can additionally be referred to as “The Reverend Father.” [4]

Roman Catholic priests. Photo source.

Religious Orders

In both the Roman Catholic and Eastern Orthodox churches, there are religious orders whose members are referred to as monks, if male, and nuns, if female. In the Catholic tradition, they are called “Brother (Name)” and addressed as “sister” or “Sister (Name). It’s the same in the Eastern Orthodox tradition, although monks are referred to as “Father” and nuns as “Mother” or “Sister.”


I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

[1] Guruge, Anura (2008). Popes and the Tale of Their Names. AuthorHouse. ISBN 978-1-4343-8440-9.
[2] Annuario Pontificio, published annually by Libreria Editrice Vaticana, p. 23*. ISBN of the 2012 edition: 978-88-209-8722-0.
[3] Rodopoulos, Panteleimon (2007). "Institutions of the Ecumenical Patriarchate". An overview of Orthodox canon law. Translated by Lillie, W.J. Rollinsford, N.H.: Orthodox Research Institute. p. 213. ISBN 1-933275-15-4. OCLC 174964244.
[4] https://en.wikipedia.org/wiki/List_of_religious_titles_and_styles#Catholicism
[5] https://en.wikipedia.org/wiki/Archbishop

Writer’s Deep Dive: Posterns

Castles and fortified cities are popular with writers. Access to them can become critical to the plot, especially during a war or siege. Gates and barbicans are well-known access points, but many castles and cities use posterns as a secondary point of entrance or exit. Let’s dive in!

The Basics

Posterns, also known as sally ports, were secondary doors or gates. They were set into the outer curtain wall of a castle or city. They were usually small, with only enough room for one person to pass through at a time, although some were large enough for a horse and rider. Often, they were concealed, making it difficult or impossible for someone unfamiliar with their location to find them. They commonly had gates or doors that locked or latched shut.

A small postern. Photo source.
A larger postern from Denbigh Castle in Wales. Photo source.

Because of their size, they were easier to defend, since only one soldier or rider could come through at a time. This created a chokepoint that favored the defenders. [1]

Posterns had a varied of uses, including as a sally port during a siege to attack the besieging army, a discrete way of entering or exiting, and an escape route.

There are historical records of posterns and several that still exist. The cities of Jerusalem, London, and York had many posterns. Posterns are also mentioned in literature. In Le Chanson de Girart de Roussillon, the hero escapes through a postern when he is betrayed. In Sir Thomas Malory’s Le Morte d’Arthur, a knight of the Round Table flees through a postern. [2]

An illustration of London’s Tower Postern Gate in 1350. Museum of London. Photo source.

The Write Angle

There are so many opportunities for a writer when it comes to posterns.

If you have a character that needs to escape from a castle or walled city, a postern provides a great option. Since some of them were large enough for a horse and rider, messengers could use them to escape a besieging army, especially since posterns were well away from the main gates and commonly concealed. In fact, in my in-process novel, I use a postern as a means of escape for several messengers fleeing a besieged city.

A postern could also be used to get into a castle or walled city. If a person is told of the location of a concealed postern, they could sneak in. The door could be opened from the inside or the lock could be picked from outside. It could also be used by a resident of a castle or walled city to sneak out to meet a sweetheart or deliver covert information.

Of course, as I mentioned above, posterns were used by soldiers to sneak out and launch surprise attacks on an enemy army, especially if they are besieging the castle or city. A castle’s soldiers could also sneak into an enemy’s encampment and sabotage their tools and equipment, turn their horses or other livestock loose, or set things on fire.

Ciri from The Witcher sneaking out of a castle. Photo source.

I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

[1] Van Emden, Wolgang. "Castle in Medieval French Literature", The Medieval Castle: Romance and Reality (Kathryn L. Reyerson, Faye Powe, eds.) U of Minnesota Press, 1991, p.17 ISBN 9780816620036
[2] Malory, Thomas. Le Morte D'Arthur, Chap IV, Library of Alexandria, 1904

The Writer’s Guide to Noble Titles

Today I will cover the titles and forms of address for members of the nobility. Collectively, the nobles of a country or kingdom are known as the peerage. There was a strict pecking order within the peerage during much of European history and it still exists in a form today in the United Kingdom and other European countries where the nobility is intact.

If you are interested in titles for royalty, I suggest you read my previous article, The Writer’s Guide to Royal Titles. Just as with that article, I will focus on medieval and Renaissance Europe.

Duke and Duchess

A duke was the highest-ranking member of the peerage, below only royalty. Several royal families have the traditional of giving princes the title of duke, including the UK, Belgium, Denmark, Spain, and Portugal. A duchess was the wife of a duke and could be of royal blood or not.

The proper form of address both in writing and verbally is “Your Grace,” although “My Lord Duke” can also be used. [1] “Your Grace” is used only with those of royal blood. [2] If a duke is greeting another duke in a formal setting, they would use “your Grace” if both are of royal blood or “my Lord Duke,” if they are not. In an informal setting, they would use “Duke (Name)” and if they are friends and in a private setting, they would likely use their first names.

The same rules apply for a duchess, although she would use the term “Duchess.”

A duke or duchess could also be referred to by the name of the territory they control, even if they are of royal blood. For example, Prince William and his wife, Catherine, are referred to as the Duke and Duchess of Cambridge.

The Duke and Duchess of Cambridge. Photo source.

Marquis and Marchioness

The rank of marquis and marchioness originated in France. It also refers to a noble who is given land on the border of a country, commonly called a march, and has a special duty to defend it against invasion. In the UK, the title is spelled marquess.

The formal form of address was “my Lord” or “your Lordship.” “Marquis (Name)” could be used in more informal settings.

A marchioness is the wife of a marquis. She would be referred to as “my Lady” or “your Ladyship” and informally as “Lady (Name).”

Just as with a duke and duchess, a marquis could be referred to by the name of the territory he controls. For example, John Stewart, the Marquis of Waterton would be called Lord Waterton but not Lord Stewart or Lord John. [3] His wife, Anne Stewart, the Marchioness of Waterton would be called Lady Waterton or Lady Anne but not Lady Stewart. A married woman was also never referred to by her maiden name.

A portrait of the marquis and marchioness of Miramon and their children. James Tissot, 1865. Photo source.

Earl and Countess

Earl is an ancient title that likely originated from the Scandinavian title jarl and referred to a high-ranking chieftain who ruled in the king’s stead. [4] The wife of an earl is a countess.

All the same rules for a marquis and marchioness apply.

Viscount and Viscountess

Use of the title viscount and viscountess varies between different European counties. In some, it is an administrative or judicial title, while in others, such as the UK, it is a hereditary title.

All the same rules for a marquis and marchioness apply.

Baron and Baroness

Baron and baroness were titles that originated in France and were introduced to England after the Norman Conquest of 1066. They later spread to Scotland, Italy, and Scandinavia.

All the same rules for a marquis and marchioness apply.

Knight and Lady

A knight is a warrior given a title and lands by a monarch as a reward for military service. The title was commonly hereditary. [5] The wife of a knight was usually referred to as a lady. A knight could hold another higher title or not.

The common form of address was “sir” although he could also be referenced by name. For example, Sir Thomas Ward would be called Sir Thomas or Master Ward, but not Sir Ward. His wife, Margaret, would be called Lady Ward or Dame Margaret. [6]

A knight and his lady. Photo source.

I hope this was helpful. Let me know if you have questions or suggestions by using the Contact Me form on my website or by writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways, please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

[1] Montegue-Smith, Patrick, ed. (1984). Debrett's Correct Form. London: Futura Publications. p. 27. ISBN 0-7088-1500-6.
[2] Secara, Maggie, A Compendium of Common Knowledge 1558-1603, Popinay Press, Los Angeles, CA, 1990-2008, ISBN 978-0-9818401-0-9, p. 25.
[3] Secara, Maggie, A Compendium of Common Knowledge 1558-1603, Popinay Press, Los Angeles, CA, 1990-2008, ISBN 978-0-9818401-0-9, p. 26.
[4] "Earl". Oxford English Dictionary. Retrieved 24 March 2020.
[5] Almarez, Felix D. (1999). Knight Without Armor: Carlos Eduardo Castañeda, 1896-1958. Texas A&M University Press. p. 202. ISBN 9781603447140.
[6] Secara, Maggie, A Compendium of Common Knowledge 1558-1603, Popinay Press, Los Angeles, CA, 1990-2008, ISBN 978-0-9818401-0-9, p. 27-28.

Writer’s Deep Dive: Aiming a Bow

Bows show up a lot in books, from Robin Hood to Katniss Everdeen. Of course, one of the keys to being a good archer is hitting what you’re aiming at. Unfortunately, unless you have shot a traditional bow, most people do not know what that involves. Let’s dive in!

The Basics

There are two schools of thought when it comes to shooting a bow and they are aiming versus instinct shooting. Aiming, as the name implies, involves carefully setting up your shot to hit your target. Instinct shoot involves drawing the bow and loosing it when you feel it is in the right spot to hit the target. Really, there is no right or wrong way if you hit where you want to.

However, we are going to be covering several aiming techniques today. Before I jump in, I want to stress the importance of good form. Your fictional archer needs to be pulling the bow to full draw back to their anchor point, a spot on their face or jaw that they always go to. This repetition makes you a much more consistent shooter. This is a good video to explain anchor points.

Notice how much this archer is touching his face at his anchor point. Photo source.

For all the following aiming methods, it is common to close the eye further away from the arrow and aim with the other. For example, if you are a righthanded shooter, like most archers are, you will be aiming with your right eye. Although there are plenty of archers who keep both eyes open.

If you are shooting at a close to mid-range target, say 10-30 yards (9-27 m), you will line up the tip of your arrow with the spot on the target that you want to hit. This is commonly called “point on” targeting.

If you are at a further distance, you will have to use a technique known as gap shooting. Say you want to hit the bullseye of a target. You would aim at a point above it to account for the amount the arrow will drop in flight. Gap shooting is also used to adjust from left to right to account for wind. For long distance shooting, say 60 yards (55 m), the arrow must be arched. The bow is raised and often the archer overdraws past their face and anchors on their chest.

Raising a bow for a long-distance shot. Photo source.

Facewalking is when an archer changes their anchor point. For example, if they have been anchoring at the corner of their mouth but change to anchor on the back corner of their jaw for a longer shot.

An example of different anchor points. Photo source.

Stringwalking is used by modern recurve shooters to change the trajectory of their shots. It’s rarely utilized by traditional archers because it’s hard on wooden bows. The archer changes the position of their fingers on the string to change their shot.

There is another method that I have not been able to find a name for. A bowstring with two colors is needed and the archer counts the number of twists, moving the arrow nock accordingly.

Whatever method your fictional archer uses, they will likely have to take several shots to dial in the distance, adjusting with each try.

Stringwalking. Photo source.

The Write Angle

Writing about a character carefully lining up a shot can add drama and tension to your story. This is especially true if there are obstacles or difficult weather conditions. Now that you are familiar with the various aiming methods, you can describe your character choosing a technique based on the distance and wind conditions. Being able to describe your character’s aiming adds a level of realism to your novel.

The aiming technique also changes how an arrow will hit. If your archer is “point on,” the arrow will strike at a 90° angle. However, if the shot was arched to cover a longer distance, the arrow will be striking from above at terminal velocity.

It would be interesting to see a fictional archer use facewalking to achieve a particular shot. Or to use gap shooting and describe how they are aiming for a point above their target because of the distance or to one side to account for wind.

It would also be interesting to have your archer miss the first couple of shots and adjust to dial into the target.


I hope this was helpful. Let me know if you have any questions or suggestions by using the Contact Me form on my website or writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

The Writer’s Guide to Royal Titles

Fantasy writers have a love affair with royalty, with kings, queens, and princes littered across the genre. Yet royals and nobles appear in other genres as well, such as science fiction. But unless you interact with a real royal court or a group playing one at your local Renaissance faire or SCA event, most writers struggle. This is especially true if your protagonist is a member of a royal family.

Today I will be covering titles and forms of address in a variety of situations. I will be pulling mostly from medieval and Renaissance European traditions. The rules change dramatically between countries and time periods and vary due to situations and personal preference If you are writing fantasy, they can be discarded completely in favor of your own inventions, if you so wish.

Situations and Personal Preference

The forms of address varied based on the situation and personal preference. For example, if a king was a pompous ass, he could demand his subjects and staff refer to him in the most formal manner all the time. A more laidback royal could request people to use her informal title or even her first name.

The forms of address would vary based on the situation. A formal audience would require different forms of address than a private meeting between people who grew up together or have a close personal relationship.

King Joffrey from “Game of Thrones” was probably one of those royals who demanded a formal mode of address all the time. Photo source.

King

At the top of the great chain of being was the king. He ruled a country or kingdom, and no one was above him except God or maybe a pope.

The proper term of address both verbally and in writing is “Your Majesty” or “Your Grace.” After the initial greeting, he can be referred to less formally. During the Middle Ages, he would be called “sire” or “my king.” The modern equivalent is “sir.”

If a king is greeting another king in a formal setting, he would likely refer to him as “Your Majesty.” If he was being especially formal or buttering him up, he could refer to him as “Your Most Royal Majesty” and possibly continue with “king of (kingdom).” A king could also be called by the name of his kingdom. For example, the king of England could be asked “Will England send aid?”

In an informal setting, two kings would likely call each other “King (First Name).”

If they are close friends and in private, they would likely call each other by their first names. Unless they grew up together, the relationship would start out formal, gradually become more casual until one or both requested that the other call them by their first name.

Queen

The queen was commonly the wife of the king although she could also be a monarch in her own right.

The proper term of address verbally and in writing is “Your Majesty,” although the spouse of a king could also be referred to as “Your Highness” or “Your Grace.” After the initial greeting, she can be referred to as “madam” or “my queen.” If the queen is accompanying her husband, they can be collectively referred to as “Your Majesties.” If someone was being subtly disrespectful, they could refer to a queen ruling as a monarch as “Your Highness,” implying that she is not on the same level as a king.

A queen greeting a king or another queen ruling in her own right in a formal setting would likely use the term “Your Majesty.” A queen who is the spouse of a king would greet another spouse of a king as “Your Highness.”

In an informal setting, the same rules that apply to kings would be used here. The same for close friends in private.

Queen Letizia of Spain greeting Queen Elizabeth II. Photo source.

Other Members of the Royal Family

Other members of the royal family include the sons and daughters of the monarch, their spouses, and their children.

The term of address verbally and in writing is “Your Royal Highness” or “Your Highness.” After the initial greeting, they can be referred to as “sir” or “madam.” Princes could also be called “my prince” or “my lord” and princesses as “my lady.”

A prince or princess greeting another prince or princess would likely refer to them as “Your Highness.”

In an informal setting, they would refer to them as “Prince (Name)” or “Princess (Name),” for example, “Greetings, Prince Derek.”

In private, two friends would use their first names.

Children were expected to refer to their parents formally, such as “my lord father” and “my lady mother.” They could also use “sir” or “madam.”

A prince and a princess meeting. “The Swan Princess.” Photo source.


I hope this was helpful. Let me know if you have any questions or suggestions by using the Contact Me form on my website or writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.

[1] Secara, Maggie, A Compendium of Common Knowledge 1558-1603, Popinay Press, Los Angeles, CA, 1990-2008, ISBN 978-0-9818401-0-9, p. 24-29.
[2] Mortimer, Ian, The Time Traveler’s Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century, Touchstone, New York, 2008, ISBN 978-1-4391-1289-2, p. 40-43.
[3] https://en.wikipedia.org/wiki/Forms_of_address_in_the_United_Kingdom

Writer’s Deep Dive: 18th Century Pockets

For the past 17 months I have been putting out Writer’s Guides in an attempt to provide writers with accurate information. However, I have received several requests to do a deeper dive into my topics. Starting this year, I will be putting out Writer’s Deep Dives every other week. However, I will continue to put out my Writer’s Guides twice a month and alternate between the two. If there is a topic that you want me to do a Deep Dive into, please reach out and let me know.


The presence and/or size of women’s pockets has been a topic of hot debate for a while. The last time women had pockets of decent size was the 18th century. Let’s dive in!

The Basics

Women’s pockets during the 18th century were a separate garment and not integral to their clothing. They tied with a ribbon around the waist and were accessed by slits in the sides of her skirts. There could be a single pocket bag or a pair of them.

They were large! I made a pair of 18th century-style pockets for my 1775 dress based on surviving examples. They are easily large enough to fit a modern smart phone plus my wallet, fan, mitts, and car keys. There are even larger examples out there. I like to call them the mom purse of 18th century pockets.

The “mom purse” of 18th century pockets. Photo source.

Pockets could be plain or made of fancy fabric. Quilted or pieced pockets were popular. I have a friend who used velvet as the lining for her pocket so she could also be certain when she was inside them.

Since pockets were worn every day and were hidden from view close to the body, they were a very personal item. Many women embroidered them with private designs, sometimes including the initials of lovers. Several reenactors have kept up this tradition and there are some hilarious designs out there. Here are two of my favorites.

2020 dumpster fire pocket. Photo source.
Bernie Sanders mittens pocket. Photo source.

The Write Angle

Since 18th century pockets are so big, there are some great opportunities as a writer to take advantage of them. Several items could be smuggled inside them, including maps, bottles of poison, or a knife. Since they were rarely suspected, a woman could smuggle all kinds of things in her large pockets.

One of the risks to this design was that the ribbon that secured the pocket(s) around the waist could break. In fact, there is an 18th century nursery rhyme about that. “Lucy Locket lost her pocket. Kitty Fisher found it. Not a penny was there in it, only a ribbon round it.” Loosing a pocket could be a fantastic way to start or advance the plot in a novel, especially if the pocket contains important documents or another vital item.

Also, if a woman had embroidered the name or initials of her secret or forbidden lover on her pockets, and they were discovered by her family or husband, this could be another great way to advance the plot. Personal embroidery of this type was common during the 18th century.

It can be easy to miss the pocket opening. My first time wearing pockets, I thought I had my hand inside it and let go of my phone, only to have it fall out the bottom of my skirt. A woman missing her pocket and dropping an important item out through her skirts could also be a great plot point.


I hope this was helpful. Let me know if you have any questions or suggestions by using the Contact Me form on my website or writing a comment. I post every Friday and would be grateful if you would share my content.

If you want my blog delivered straight to your inbox every month along with exclusive content and giveaways please sign up for my email list here.

Let’s get writing!

Copyright © 2022 Rebecca Shedd. All rights reserved.